AstroScope 9350NIK Night Vision Module for Nikon FX DSLRs‎

Electrophysics, a Sofradir Group company, has introduced a high-performance night vision module for use with Nikon’s full-frame (FX) digital SLR cameras. These digital cameras deliver bright high resolution green images of night-time scenes having a full image format and edge-to-edge sharpness when used with the new AstroScope 9350NIK. Because the night vision module fits between the camera body and SLR lens, all the lens electrical connections are maintained and important lens features such as vibration reduction (VR) remain fully functional even in night vision mode. The introduction of the AstroScope 9350NIK follows hot on the heels of the announcement of the AstroScope 9350EOS-FF for Canon EOS digital SLR cameras.

Electophysics Press Release

Night Vision Module for Nikon dSLR Cameras Enhances Night-time Performance

Night Vision for Nikon D3 and D700 Cameras

Fairfield, NJ (September 8, 2009) – Electrophysics, a Sofradir Group company, has introduced high performance night vision module for use with Nikon full-frame digital SLR cameras such as the Nikon D3 and D700 Cameras. These digital cameras deliver bright high resolution green images of night-time scenes having a full image format and edge-to-edge sharpness when used with the new AstroScope 9350NIK Night Vision Modules. Because the night vision module fits between the camera body and SLR objective lens, all the lens electrical connections are maintained and important lens features such as optical image stabilization remain fully functional even in night vision mode, enabling the photographer on the move to easily realize the ultimate in low-light performance. Night Vision configurations for DX-format Nikon cameras as well as Canon EOS digital SLR cameras are also available.

The new AstroScope night vision module also features variable gain control enabling the night-time photographer to increase the brightness of the images when ambient lighting is such that images are otherwise too dark to photograph. Normally, the AstroScope delivers the equivalent of 8-10 F-stops light gathering improvement. With the variable gain feature, the available light amplification is further improved. In addition, when photographing relatively well-lit night-time scenes, the gain can be minimized to reduce image noise.

Low-light applications for these high resolution digital cameras abound, where recognition and identification of scenes at night are very important to the success of image recording and surveillance applications. At the heart of the new AstroScope Night Vision Modules is a central intensification unit (CIU) that transforms dark, moonlight or starlit nights into bright, high-resolution scenes. The modules deliver optimum performance, the sharpest detail and highest quality full-frame images with no vignetting, a common problem with other night vision configurations.

The AstroScope has received praise from professionals in a myriad of industries, including professional broadcast, law enforcement and the military, as the ideal accessory for both video and photo applications. When configured with AstroScope Night Vision, the high performance digital cameras give users the ability to acquire low light images with breathtaking detail. For more information about these and any of our other Night Vision Systems, visit http://www.electrophysics.com/night-vision/.

Leica S2 Specifications Announced

In the wake of the recent price / availability announcements, Leica now unveiled the full specifications of the Leica S2 and four S-system lenses. The Leica S2 is a new interchangeable-lens DSLR with a sensor that is 56% bigger than a conventional “full-frame” imager. The first prototypes were shown to us at Photokina 2008, and availability is now slated for October 2009. Highlights include a 37.5-megapixel Kodak CCD with a claimed 12 stops of dynamic range, a metal focal-plane shutter with a maximum shutter speed of 1/4000 second, fast auto-focus, a large and high-eye-point TTL optical viewfinder with 0.86x magnification, interchangeable focusing screens, CompactFlash and SDHC compatibility, an HDMI port and a 3-inch rear screen with 460,000 pixels and optional sapphire glass. The Leica S2 will be available at an SRP of £15,996 from selected authorised dealers. The Leica S2-P, which includes the sapphire glass display and comes with a Platinum service package, is priced at £19,092.

Leica Press Release

The LEICA S2: In a class of its own
18 August 2009: Following the announcement of the availability and pricing of its new S-System last month, Leica has now revealed the full specifications of the camera and lens system. This ground-breaking new product will set the standard in professional digital photography.
A perfect synthesis
The LEICA S2’s excellence is based not only on its high-resolution image sensor but also the unique S format and full range of features, such as autofocus, high-speed MAESTRO image processor, highly durable design and optimal size and ease-of-use for the professional photographer. The S2 achieves a perfect combination of the highest image quality in a camera with unrivalled ease-of-use. It breaks new ground in every way, ensuring that photographers will enjoy perfect results from a camera that is truly easy to handle. The Leica S-System is the only professional camera system to make a clean break from legacy categories such as the 35mm or medium format and was developed solely for the digital domain. This means the LEICA S2 has established its own format focused primarily on ease-of-use and optimal image quality - the Leica S format. This format pioneers the optimal quality of all components and embodies easy handling, giving photographers the creative scope they require. The decisive advantage of the LEICA S2 is in the sum of its features: flexibility, durability and easy operation combined with industry-leading resolution and image quality. The S2 outperforms other camera systems in the medium-format category, setting a completely new standard for quality.

A unique image sensor design for unparalleled quality
The S2’s image sensor was developed especially for the S system by Kodak. With a resolution of 37.5 megapixels, the 30 x 45mm CCD sensor features an aspect ratio of 3:2 and an area nearly 60% larger than that of a traditional 35mm camera, resulting in stunning image quality. In the interest of preserving image sharpness, the camera dispenses with the standard low-pass filter. Instead, Moiré effects are detected and eliminated by the camera’s internal signal processing, thus taking full advantage of the system’s high-resolution lenses. A special micro-lens pattern allows complete capture of angled light rays on the image periphery for optimal use of available light. With a sensitivity of up to ISO 1250, low-noise images can be captured under limited lighting conditions.

Compact design and familiar feel
The LEICA S2 has the look and feel of traditional 35mm SLR cameras, preserving the handling qualities that have long been appreciated by professional photographers. The integration of electronic components and the very latest design methods have made the S2 remarkably smaller than other medium-format cameras. The number of controls has been kept to a bare minimum without limiting the camera’s many features and options. Operation of the S2 becomes intuitive after minimal operation of the camera. The result is a finely balanced camera with a comfortable weight that allows photographers to work spontaneously.
The size and weight are far lower than comparable medium-format systems in a camera that features a high-resolution CCD and high-speed operation. The LEICA S2 is not only the right choice for the studio, but also for working on location and capturing images without the use of a tripod.
Faster results with a high-speed system
The S2’s high-speed MAESTRO image processor chip and additional camera control processor deliver exceptional processing power. Fast signal processing by the MAESTRO chip allows up to 1.5 images per second at maximum resolution. The powerful MAESTRO dual processor allows high-quality JPEG files to be created in the camera – the only medium-format camera to have this feature. The LEICA S2 has slots for both Compact Flash and SD, with an option for saving RAW format Adobe DNG data onto Compact Flash and JPEG to the SD card, simultaneously. This allows for easy image viewing on the camera while streamlining post-processing. Using Adobe DNG for raw imaging data gives photographers the ultimate flexibility because this open-source data format is supported by almost all major graphic-editing and workflow solutions. Leica supplies the universal Adobe Lightroom workflow solution as part of the camera’s equipment. Leica’s proprietary Image Shuttle software allows all the S2 features to be controlled remotely from a computer, and image files are written directly onto the hard drive for immediate processing. An HDMI interface allows images to be presented and checked directly on monitors, television screens and projectors.

Reference-class lenses
The highest priority during development of the Leica S lenses was image quality. Their sophisticated design features special grades of glass and aspherical surfaces rarely found in optics of this size. In addition, lenses manufactured to extremely narrow tolerances, with each lens centered by hand, guarantees superior quality and optical performance. The maximum performance of each lens is available even at full aperture setting, or when shooting from a distance or capturing close-up images. Vignetting, distortion and chromatic aberrations have been reduced to the point of imperceptibility, eliminating the need for quality-degrading image corrections and simplifying digital post-processing considerably. The newly developed S-bayonet mount ensures rapid and precise digital exchange of data and commands between the camera and lens.
Four S series lenses will be launched for the key focal lengths by the end of 2009, including the classic LEICA SUMMARIT-S 70mm F/2.5 ASPH and the LEICA APO-TELE-ELMAR-S F/180mm telephoto lens. The LEICA APO-MACRO-SUMMARIT-S 120mm F/2.5, the solution for close-ups and portraits, and the wide-angle LEICA SUMMARIT-S 35mm F/2.5 ASPH are set to follow in late 2009. By multiplying the listed focal distances by 0.8, the user is given a comparison to corresponding 35mm-format lenses. A selection of the S lenses will also be available in a CS variant with an integrated focal-plane shutter. Leica is planning to prioritise the expansion of its range of S lenses in the near future.
Dual shutter system
The LEICA S2 allows photographers to choose the shutter system that best matches the task at hand. The S2 is equipped with a metal focal-plane shutter with the fastest shutter speed of 1/4000 of a second and a flash synch time of 1/125 of a second. Lenses of key focal lengths will be available in the future with integrated leaf shutters designed by Leica engineers that photographers can activate via the camera’s main switch. The integrated leaf shutter allows flash units to be used at the fastest shutter speed of 1/500 of a second, giving photographers more options for suppressing unwanted ambient light. Several patents are pending for the Leica leaf shutter, which features an electronically-controlled drive guaranteeing reliable, fast exposure times and low energy consumption.
Precise, high-speed autofocus
The autofocus developed by Leica for the S2 is based on a centrally positioned cross-hair sensor for high precision focusing. Each S lens has its own Leica-designed microprocessor for precise autofocus and iris diaphragm control. The integrated focusing drive is a proprietary Leica design that features silent gearing. All S lenses have a generous focus ring with just the right amount of drag, letting the photographer override the autofocus at any time.

Rugged, durable design
The camera’s body is made of robust die-cast magnesium with a leather-grain finish for maximum grip. The S2 and all S lenses are extensively weatherproofed and can withstand exposure to rain and dust, and the USB and remote control ports feature rugged bayonet locks with strain relief. The S2 can also be supplied with a highly scratch-resistant LEICA S2-P sapphire glass display cover for the most extreme and demanding conditions.
Authorised sales and service network
The LEICA S2 is only sold through authorised dealers who also offer access to specialised support as part of the extended S-System service package. The S-System will have its own customer care team with a dedicated helpline, making immediate service accessible for any questions that may arise. Professional photographers who demand absolute reliability from their camera systems can choose from additional service package upgrades to enhance the standard warranty coverage. The Platinum service package includes free maintenance in addition to offering loan equipment for the duration of the service work. More information can be found in the service package information below.
Pricing and availability
From October 2009, LEICA S2 will be available at an SRP of £15,996 from selected authorised dealers. At £19,092, the LEICA S2-P with sapphire display includes the Platinum service package. The LEICA SUMMARIT-S 70 mm f/2.5 ASPH. at £3,096 and the LEICA APO-TELE-ELMAR-S 180 mm f/3.5 for £4,541 will also be available when the S2 is launched. The LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5, also priced at £4,541, and the LEICA SUMMARIT-S 35 mm f/2.5 ASPH., priced at £3,612, will reach the market in late 2009. The CS variant models of the S lenses will be introduced successively over time. The first CS models to reach dealers will be the LEICA SUMMARIT-S 70 mm f/2.5 ASPH. CS (£4,025), the LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 CS and the LEICA APO-TELE-ELMAR-S 180 mm f/3,5 CS (the macro and telephoto priced at £5,160 each). The LEICA SUMMARIT-S 35 mm f/2.5 ASPH. CS will follow for £4,231. Accessories for the S2 will also be available at launch, including the professional S charging unit that recharges two batteries simultaneously (£258) as well as various components such as alternative viewfinder screens. Specialist dealers will also offer accessories such as lens caps, cable releases and the LEICA SF 58 flash unit. An S all-purpose grip will be available in early 2010 for £851. Prices include VAT.

Technical data LEICA S2 / LEICA S2-P

Camera type: Digital single-lens reflex camera for use with Leica S lenses

Image sensor: low-noise Kodak CCD sensor. Resolution: 37.5 megapixels (7,500 x 5,000).
Size: 45 x 30mm, pixel spacing: 6µm. Aspect ratio: 3:2.
Dynamic range: 12 stops, colour depth: 16 bits per pixel, low-pass filter: none (Moiré detection and suppression using digital signal processing)

Sensitivity range: ISO 80 to 1250 (manual or automatic control)

Data storage (format): DNG (approx. 75 MB per image), JPEG (basic or fine),

Memory cards: CompactFlash (up to 64 GB), SD cards (HC)

Maximum frame rate: 1.5 images/s, buffer memory: 1 GB (for a minimum sequence of 8 images in DNG format)

Control monitor: 3-inch TFT with 460,000 pixels, 16 million colours, cover glass: highly abrasion and scratch resistant sapphire glass (only with the LEICA S2-P)

Connections: High-speed USB 2.0 (robust connection with strain-relief, cable included), HDMI, remote release, X sync, SCA3002

Exposure metering: Multi-field metering (5 fields), centre-weighted integral metering, spot metering (3.5%)

Exposure control: Program mode (with Shift function), shutter priority, aperture priority, manual metering

Shutter: Metal focal-plane shutter integrated in body: 1/4000 s to 32 s (B to 120 s), flash sync time: 1/125 s, optional leaf shutter in selected lenses: 1/500 s to 32 s, flash synch time: All speeds

Flash operation: Metering method: TTL (multi-field, center-weighted, spot), TTL-HSS rapid synchronisation up to 1/4000 s with focal plane shutter, Compatibility: fully compatible with LEICA SF 58 and devices with SCA3002 adapters

Auto Focus: Central crosshair sensor, focusing drive in lens

Operating Modes: AF Continuous, AF Single, MF, MF Override

Viewfinder: High eye-point pentaprism viewfinder

Magnification: 0.86x, viewfinder field: 96%, dioptre compensation -3 to +1,

focusing screen: Matte with cross-hairs (interchangeable)

Power supply: Li-Ion battery (7.4 V, 2150 mAh)

Housing: Die-cast magnesium, size (without lens):

160 x 120 x 80 mm, weight: 1410 g (including battery), resistant to dust and dripping/splashing water

Scope of supply Software: Adobe Lightroom, Leica Image Shuttle, one battery, charging unit, USB cable

Technical data LEICA SUMMARIT-S 35 mm f/2.5 ASPH. (CS)

Lenses/groups: 11/9 (2 aspherical surfaces)

Optical design: Rear group focusing

Image angle (diagonal,

horizontal, vertical): approx. 75°, 65°, 46°, approx. corresponds to 28 mm

in 35 mm-format

Aperture range: 2.5 to 22

Shortest distance: 0.55 m

Largest image scale: 1:11

Filter thread size: 82 mm

Dimensions

(diameter/length): 88 mm/122 mm

Weight: 930 g (CS: 1080 g)

Technical data LEICA SUMMARIT-S 70 mm f/2.5 ASPH. (CS)

Lenses/groups: 8/6 + 1 protective filter (1 aspherical surface)

Optical design: Floating element focusing*
Image angle (diagonal,

horizontal, vertical): approx. 42°, 35,5°, 24°, approx. corresponds to 56 mm

in 35 mm-format

Aperture range: 2.5 to 22

Shortest distance: 0.5 m

Largest image scale: 1:4.7

Filter thread size: 82 mm

Dimensions

(diameter/length): 90 mm/93 mm

Weight: 740 g (CS: 890 g)

*during focusing the relative position of two lens elements changes compared to the rest of the optical system

Technical data LEICA APO-MACRO-SUMMARIT-S 120 mm f/2.5 (CS)

Lenses/groups: 9/7

Optical design: Floating element focusing*
Image angle (diagonal,

horizontal, vertical): approx. 25°, 21°, 14°, approx. corresponds to 96 mm in

35 mm-format

Aperture range: 2.5 to 22

Shortest distance: 0.57 m

Largest image scale: 1:2

Filter thread size: 72 mm

Dimensions

(diameter/length): 91 mm/128 mm

Weight: 1135 g (CS: 1285 g)

*during focusing the relative position of two lens elements changes compared to the rest of the optical system

Technical data LEICA APO-TELE-ELMAR-S 180 mm f/3.5 (CS)

Lenses/groups: 9/7

Optical design: Internal focusing

Image angle (diagonal,

horizontal, vertical): approx. 17°, 14°, 9.5°, approx. corresponds to 144 mm

in 35 mm-format

Aperture range: 3.5 to 32

Shortest distance: 1.5 m

Largest image scale: 1:7

Filter thread size: 72 mm

Dimensions

(diameter/length): 88 mm/151 mm

Weight: 1150 g (CS: 1300 g )

The Leica S-System will be available in the UK from October 2009. For further details and a list of authorised dealers including the new Leica Store Mayfair, please visit http://www.leica-camera.co.uk.

The International Creativity Bank will be launched in the World Wide Web soon

The International Creativity Bank "Swisstock" will be launched in the World Wide Web soon. As the project's founders say: "The main goal of this project is to promote creative work of billions creative minds."

According to available information the project will allow the authors to present the results of their creativity to the worldwide Internet audience, effectively establish commercial promotion and profitable sale of their creative work, reflecting their opinions and suggestions in professional field, as well as to establish contact with potential partners, customers and fans.

The promo could be viewed at www.swisstock.com

IT Global News

Carl Zeiss presents the Distagon T* 2,8/21 with EF Bayonet

Dusk is falling in Manhattan, and commuters on their way home are hurriedly crossing the street toward Grand Central Station. Behind them, the skyscrapers reflect the golden light of the setting sun. To capture this unique atmosphere, photographers need a fast wide-angle lens.

Carl Zeiss is proud to present the Distagon T* 2,8/21 ZE, an ultra-wide-angle lens with EF bayonet designed specifically for such tricky shooting moments. It fits all analogue and digital EOS camera models. It is ideal for architectural and landscape photography. Following the recent release of the Distagon T* 3,5/18 ZE, the new Distagon T* 2,8/21 ZE is now the second Carl Zeiss wide-angle lens with EF bayonet on the market.

Photographers taking wide-angle shots often encounter image errors at the transition between bright and dark light as a result of lenses breaking the various wavelengths differently. The Distagon T* 2,8/21 ZE’s ability to flawlessly correct color errors prevents color fringing and unwanted lack of focus that can result from chromatic aberrations. Thanks to these capabilities, the Distagon T* 2,8/21 ZE is ideal for contrast-rich scenes and intense lighting angles. The lens’s floating elements design also guarantees high imaging performance, from close-ups to infinity. Thanks to the Carl Zeiss T* anti-reflex coating and meticulously-crafted lenses, the Distagon T* 2,8/21 ZE is not affected by reflections or stray light. Capturing scenes with tough lighting conditions, such as the summer dusk in downtown Manhattan, works every time—even with wide aperture settings.

The Distagon T* 2,8/21 ZE will be available in autumn this year for a suggested retail price of EUR 1.549 (including German VAT of 19%).

Technical specifications:
Focal length: 21 mm
Aperture range: f/2.8 - f/22
Number of elements/groups: 16/13
Focusing range: 0.22 m - infinity
Angular field* (diag./horiz./vert.): 90/81/59 °
Coverage at close range: 19 x 12.4 cm (close-up)
Image ratio at close range: 1:5 (close-up)
Filter thread: M 82 x 0.75
Mounts: ZF (F bayonet)
ZK (K bayonet)
ZE (EF bayonet)
Accessories: Lens hood included
* in 35 mm format

RZ67 Pro IID - The Ideal Platform for Digital Imaging

RZ67 Pro IID - The Ideal Platform for Digital Imaging

From itпїЅs legendary 6x7cm ideal format, to its unique revolving film back, the RZ67 has earned the respect of professional photographers around the world.

Now with the demand from photographers to provide clients with the same quality and performance that they have come to expect, Mamiya introduces the RZ67 Pro IID. The RZ67 Pro IID is the result of an evolution into the next generation of digital and film medium format cameras. It offers advanced microprocessor technology for traditional film capture, while enabling direct communication of many camera functions to digital capture backs through its MSC (Mamiya Serial Communication) system.

Offering the professional photographer the same exclusive features of its legendary predecessors, the RZ67 Pro IID shares all the same unique world-class features of the RZ67 Pro II, PLUS digital back communication. It incorporates MSC technology that allows wireless communication between the camera and digital backs. The following functions are communicated to and from the camera and compatible digital back:

• Shutter speed
• ISO sensitivity
• Shutter release
• Number of images stored on the remaining storage device
• Status of the camera body and the attached digital back

The Mamiya RZ67 Pro IIDпїЅs modular component system and MSC technology make it one of the most sought after and flexible imaging tools for the professional. A wide selection of interchangeable lenses, prisms and focusing screens provide the comfort and conveniences you would expect. Interchangeable film backs, Polaroid, or digital capture backs increase the choices that professional photographers can offer their clients. Manual or motorized film advance plus many useful accessories make the RZ67 Pro IID the ideal image capture solution for today and tomorrows digital and film workflow.

Manufacturers of digital backs have come to rely on what traditional Mamiya users have often taken for granted. There are many features that make the Mamiya RZ67 Pro IID perfect for the task. For example, the RZ features a secure locking mount system that is solid enough to hold even the heaviest of digital camera backs; A modern, and flexible electromechanical system that allows for the proper integration of remote triggering, winding, and shutter timing - a must for digital backs; Bellows-focusing for close-ups without additional accessories; and, world-class Mamiya RZ lenses. .

For a complete list of digital back manufacturers please visit our Digital Backs section under PRODUCTS in the main menu at left.

RZ67 Pro IID - The Ideal Platform for Film
The Mamiya RZ67 Pro IID combines rugged hybrid mechanical design with the most desirable electronic features of sophisticated TTL A/S Matrix Metering, precision timed electromagnetic leaf shutter operation, consistent from lens to lens, and auto wind and remote control option. A 1/400 second mechanical override is provided in case of battery failure.

With multi-format capability, the Mamiya RZ67 Pro IID offers an impressive choice of interchangeable film magazines including 6x4.5cm and 6x7cm, Quadra 72, economical 6x7cm pre-loadable film inserts, plus Polaroid Instant Proofing back.

Top pros consider the Mamiya RZ Pro IID a versatile, modular camera system for the most demanding commercial photographic applications including advertising illustration, fashion, beauty, industrial, portrait and architecture. Mamiya RZ Series lenses have ultra-precision timed, fully synched, electromagnetic leaf shutters, with specialty optics including Shift, variable flat field Macro, Zoom, Fisheye, and a spectacular series of telephoto APO lenses.

The Mamiya RZ67 Pro IID system includes interchangeable waist level finder (standard) , eye level prism, and advanced RZ II AE Prism Finder with MamiyaпїЅs exclusive A/S Matrix Metering System for spot, average or matrix measurement in manual or aperture priority automatic mode. Its electronically timed 1/2 step shutter speed accuracy in manual, and with the RZ II AE Prism Finder 1/6 step accuracy in auto mode yields perfect exposures even with synched flash for outdoor fill-in.

In addition to a wide assortment of interchangeable film magazines, inserts and backs, other system accessories include motorized film and shutter advance with Winder II, interchangeable focusing screens, variable diopter eyepiece magnifier, extension tubes and remote control. Also, Mamiya RB67 series lenses, finders, and many accessories are fully compatible with the RZ Pro IID.

6x7cm - The Ideal Format
The 6x7cm format is nearly 5 times larger than ordinary 35mm format. 6x7 is called the ideal format because it enlarges to standard 8x10" paper size without cropping, thereby using the entire image area, for professionals, art directors and clients appreciate the large, detailed 6x7cm format over others.

Revolving Back
With a flip of the wrist, you can instantly change from vertical to horizontal composition with the Mamiya RZ67 Pro IIDпїЅs interchangeable revolving back design. Effects are clearly visible in the viewfinder with auto-frame masking that assures accurate composition at all times.

Bellows Focusing
The Mamiya RZ67 Pro IID features built-in fast and accurate bellows focusing. Two concentric focusing knobs, for rapid and micro-fine focus, allow close-up photography with all focal length lenses without the need for costly or cumbersome accessories. Normal lenses focus to nearly 1:1 life size magnification without additional extension tubes.

RZ Pro IID Value Pack
Cat. # 212-090
The renowned Mamiya RZ67 Pro IID camera is now available in a factory packed, money saving outfit. By packaging the most popular components of the RZ System into one box, we are able to pass along the savings directly to the end user. Additionally, we have deducted all bonuses and other offers to arrive at the lowest entry-level price.

RZ Pro IID Value Pack includes:
RZ67 Pro IID body with Waist Level Finder which includes a built-in flip-up magnifier
RZ 110mm f/2.8 lens with lens hood
RZ Pro II 120 Film Magazine

Full Speed Flash Sync
MamiyaпїЅs world class RZ Series lenses feature electronic leaf shutters that allow flash synchronization at all speeds from 8 seconds to 1/400 second, allowing mixing of flash and ambient light exposure for outdoor fashion, portrait and wedding photography as well as complex studio situations.

Electronic Shutter Setting in 1/2 step Increments
Electronic leaf shutter timing allows precise and repeatable exposure setting in 1/2 increments from 4 seconds to 1/250 second, for complete control of exposure, bracketing and fill flash.

Precision 1/6 step Exposure Setting in AE modes
With the optional RZII AE Matrix Metering Prism Finder, the RZ67 Pro IIDпїЅs speeds are set in 1/6 step increments, ideal for precision fill flash or ambient exposure with the most critical chrome films.

Safety Interlock and Audible Warning System
For the pro under pressure, the RZ67 Pro IID features fail safe interlocks and warnings to prevent mishaps including firing with dark slide in place, removing film magazine without dark slide, accidental multi-exposure, firing without film in the camera, or missing metering finder or lens. An internal diagnostic circuit checks lens/shutter status and prevents firing when the shutter requires servicing for perfect accuracy.

Single Action Rapid Advance Lever or Optional Motor Winder
Film advance, shutter cocking and mirror return are accomplished with a fast, single stroke of the large advance lever. The addition of the optional RZ Power Winder II allows continuous or single frame advance or remote control operation at 1.2 frames per second, without the need for owning a second motor-integrated camera body.

Easy Mirror Lock-Up and Multi-Exposure
The RZ67 Pro IID body also features multiple exposure capability with a flip of a single switch - no complicated removal of film backs for perfect film registration.

Interchangeable Film Magazines
The Mamiya RZ Pro IID accepts a complete range of interchangeable film magazines for mid-roll change of film type or format. Select from 6x7cm 10 exposure 120 or 6x7cm 20 exposure 220, 6x4.5cm 15 exposure 120 or Polaroid Proofing Back. Be prepared for any assignment and switch from instant Polaroid proofs, to chrome film, to black and white, or any combination instantly in mid-roll. All Mamiya Film Magazines feature handy dark slide storage pockets for added safety and convenience on location.

Electronic Interface with Auto Indexing For all Lenses and Film Magazines
Each RZ film magazine and Polaroid Back features an auto-indexing ISO film speed dial, integrating information with the optional RZII AE Matrix Metering Prism Finder. Each RZ Series lens also keys in maximum aperture for total exposure interface information. Fast and foolproof operation eliminates the need to manually set film speed and maximum aperture when changing lenses or magazines.

Interchangeable Focusing Screens
Select from eight factory designed bright focusing screens, including grid screens for product photography or architecture, precision microprism, or MamiyaпїЅs exclusive vertical split image screen designed specifically for fashion and portraiture.

AE Matrix Metering and Auto Fill Flash Capability
MamiyaпїЅs optional RZII AE Matrix Metering Prism Finder features dual mode full manual or aperture priority automatic shutter with choice of spot, average or MamiyaпїЅs own A/S matrix metering pattern. The A/S matrix mode reads the brightness contrast range of the entire scene, and calculates a spot, average or integrated exposure in either manual or auto operation. In manual mode, a fast and simple readout features green, orange and red LEDs with shutter speed and metering mode readout. In auto operation, the shutter speeds are automatically selected with 1/6 step accuracy, ideal for chrome films.
Because each RZ Series lens features auto leaf shutters, in AE mode, once the aperture is set for correct flash exposure, the lensпїЅ shutter speed is automatically set for optimum daylight fill flash exposure with any flash system, using single or multiple heads. The AE Prism quickly interchanges with the standard folding waist level focusing hood with flip-up magnifier, or the non-metering Prism Finder II.

All accessories for the RZ Pro IID (except the RZ adapter for the Mamiya ZD digital back) are compatible with the RZ Pro II.

Objects of Desire: Digital Harinezumi Camera

Sept 9, 2009
By Dan Havlik

Japanese toy camera maker Superheadz has followed up its line of quirky film cameras with its first digital model—the super cool Digital Harinezumi Camera. Though this isn't likely going to be the first, second or even third camera you might reach for on assignment, it's a lot of fun and can produce some unexpectedly pleasing results. Also, the Digital Harinezumi is so small—it fits in the palm of your hand— you won't even need to put it in your camera bag.

Deliberately primitive but with an emphasis on the magic of photographic chance, the camera has a curved black body that resembles—if nothing else—one of those old Kodak Instamatic film cartridges. There's also an analog-style spring-loaded switch to control some of the functions. Though the 2-megapixel Digital Harinezumi has a tiny LCD on back, it only works for playback, forcing you to frame your shots with a pop-up plastic viewfinder like an old spy camera. The result: You never quite know what you're capturing, which can produce "happy accidents" or just plain accidents.

The camera's creaky-looking movie clips—which simulate an 8mm film effect without sound—sum up the Harinezumi camera experience: defiantly analog style in a digital package.

Cost: $170
Available in the U.S. at: http://shopping.icp.org/store/

Hands On with the Tamron SP AF60mm f/2.0 Di II LD 1:1 Macro Lens

Sept 21, 2009
By Dan Havlik, PDN's Technology Specialist

Macro photography fans have eagerly awaited Tamron's new SP AF60mm f/2.0 Di II LD 1:1 Macro lens since it was announced back in March and with good reason – a high-quality lens for close-up photography at an affordable price is hard to come by.

Add in the fact that the Tamron 60mm f/2.0 ($569) is designed for more common – and less expensive – digital SLRs with APS-C sensors rather than full-frame models, and you have a Macro lens for the everyman photographer.

While making something affordable in this rotten economy is always welcome, everyman pricing can sometimes mean everyman quality, i.e. ok, decent, middle-of-the-road, not bad…dull…blah…zzzzzzz.

I'm happy to report that the Tamron 60mm f/2.0 is no snooze though. The Canon version of the lens I tested out – it also comes in Nikon and Sony flavors – performed wonderfully, offering precise close-up focusing and gorgeous shallow depth of field thanks to its fast f/2.0 aperture.

If you thought quality sub-f/2.8 glass was out of your price range, check out this Recession-friendly true 1:1 Macro lens from Tamron.

New Workhorse

The Tamron 60mm f/2.0 is a digital-oriented follow-up to the company's long-time mid-range Macro workhorse – the SP AF90mm f/2.8 Macro 1:1. On digital SLRs with APS-C sensors – such as the Canon 50D I tested it out on – the Tamron 60mm f/2.0 becomes approximately a 93mm lens which provides a relatively comfortable working distance from the floral, fauna, and tiny critters I was photographing up close and personal.
























© Dan Havlik

I say "relatively comfortable" working distance because several times I did block the light source while capturing Macro images of bugs and flowers with the lens, which is able to focus as close as 0.23mm from the subject. Typically, I like a telephoto Macro of about 150mm but that's a personal preference.

If you feel you're blocking the light with the Tamron 60mm, you might want to throw on a ring flash. (For a recommendation, check out my review of the Metz Mecablitz 15 MS-1 Digital in the upcoming October issue of PDN.) Also, I experienced no problems in accidentally capturing the shadow of the lens barrel with the Tamron 60mm f/2.0, which was a plus.

The two major attractions of this lens are its very fast f/2.0 aperture and its 1:1 "true" Macro capability, i.e. the object you're shooting a close-up of – such as an insect or delicate plant life – is the same size as the image on the digital sensor for "true-to-life capture." The fact that Tamron offers both these features in a lens designed for APS-C sensor cameras rather than pricier "full-frame" DSLRs is part of the reason the 60mm f/2.0 has generated so much excitement. (And you can't knock the $569 price tag.)

The Sweetest Spot

In terms of performance, I found the f/2.0 aperture worked very well in helping me handle mixed and low light conditions while producing artful shallow depth of field.

In one shot shown on this page, I was able to capture a tack sharp close-up of a sliver of a bumblebee's wing and surrounding hairs while parts of the flower it was sitting on washed out in a fiery red and yellow blur. (Experimenting with where to position the tiny sweet spot of focus while shooting at f/2.0 is half the fun with this lens.)

It's been a cloudy and rainy summer in New York and even though I was photographing flowers in dull overcast conditions, the f/2.0 aperture created bright, peppy results with rich colors, particularly the reds and pinks.

As might be expected, the Tamron 60mm f/2.0 also functions well as a portrait lens, producing lovely bokeh behind your subject. I do have to say I didn't achieve the same level of sharpness in my portraits as I did with my close-ups, which is not surprising for a Macro lens. (Macros are typically sharpest at their minimum focal distance.)

It's also worth noting that if you want a wider depth of field, the Tamron 60mm f/2.0 can go to f/22 which lends some additional versatility to this lens. (If you're like me though, you'll probably stick to f/2.0 for that "beautiful blur.")

In terms of design, the polycarbonate/metal Tamron 60mm f/2.0 is Spartan and solid with a comfortable rubber focus grip on the front. Because the lens uses an internal focusing system, it doesn't extended when focusing which keeps the package compact. (Though the 1.5-inch lens hood does eat into your working distance a bit.)

The Bottom Line

With the SP AF60mm f/2.0 Di II LD 1:1 Macro lens, Tamron has produced one of the best, if not the best, pieces of close-up glass of the year. And for just $569, this f/2.0 1:1 lens for DSLRs with APS-C sensors is a bargain.

www.tamron.com

Pros: A bright, fast, "true" Macro lens for APS-C DSLRs at a reasonable price

Cons: Would prefer slightly more working distance; not the same level of sharpness for portraits as for close-ups

Price: $569